The Puller pre-order and release date

I’ve been getting emails and IMs from people on Facebook asking about THE PULLER release dates.

THE PULLER will be out relatively soon, with a pre-order around the corner.

That said, there is other news concerning the novel, news that I can’t reveal in any specificity right now, but interesting news nonetheless. You’ll know soon enough.

I’ve been blown away by early reader feedback so far, and other events triggered by the novel. THE PULLER has always been my baby, and I’m glad it will be released soon.

Best,

-Michael

The Puller

I’m happy to report that my novel, The Puller has been picked up for publication. I’d like to thank FinePrint Literary and my agent, Laura Wood. Also, a big thanks to Gary Lucas at Severed Press. And finally, a huge thank you to Sarah Welsh. The Puller would not be possible without her. Thanks, Sarah.

I first started writing The Puller in 1995. It was originally conceived as a short story, and was accepted for a Northwoods ghost anthology by the now defunct Northward Press. However, the story never saw publication. Northward Press was bought out, and the project cancelled. 15 years later, I grew the story into a 97,000 word novel. The Puller was difficult for me on several levels, most of which I won’t get into here. Writing the story was me saying goodbye to my past, and to a landscape I might never see again.

On September 14, 2014, a young Matthew Kearns arrived at a remote cabin in Michigan’s Upper Peninsula. The plan was to mourn the loss of his father, and figure out his life.

Now he’s fighting for it.

An invisible creature has him trapped. Every time Matt tries to flee, he’s dragged backwards by an unseen force. Turns out the creature is letting him have ten acres to roam. How generous.

Look for pre-order details soon.

Best,

-Michael

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Top ten greatest albums of all time

Everyone who knows me and/or reads this site knows I’m a music freak. And every year I create a new top ten list. It’s normal for a listener to crave certain albums, fall out with them, and then perhaps, a few years later fall back in love.

So what is it about these albums that speak to me? There’s a certain organicism layered within. The engineers and producers had a knack for creating a sonic work that doesn’t shout “this is from the 80’s” or whatever time period the recording emerged from.

In this list you’ll find a mix of “classics” with modern classics, and maybe a couple you’ve never heard.

10. The Beatles – The Beatles

The Beatles gets picked on by critics for “filler” and a chaotic nature, but this is exactly what makes The Beatles great. The album is fun and adventurous with the occasional melancholic piece. I know some would consider this blasphemy, but I much prefer the Beatles work on Abbey Road and The Beatles to Revolver and Rubber Soul.

9. The Trials of Van Occupanther – Midlake

If the first track “Roscoe” doesn’t convince you that Midlake is something special, well….The album is a work of genius, laced with melody, nuance and fine imagery. If “Roscoe” doesn’t convince, try “Van Occupanther” and the McCartney-esque “Branches“.

8. Dead Cities, Red Seas, and Lost Ghosts – M83

M83 has received a lot of attention lately (from movie producers and Victoria’s Secret especially), but Dead Cities is still their best.

7. Our Mother the Mountain – Townes Van Zandt

A dark, weird alternative country record before anyone even knew what the word meant. A few critics have knocked the album for overproduction (including Steve Earle), but I call bullshit. The production imparts an otherworldly ambiance onto these tracks, separating them from the lame country played on radio stations. Can production every really hinder Townes’ songwriting? No. The songcraft and melodies are just too strong. If you want the songs pared down, seek the live albums.

6. Blood on the Tracks – Bob Dylan

Dylan is at his best singing epic ballads, and this album is mostly epic ballads. Therefore, it is Dylan’s best album.

5. Southern Rock Opera – The Drive By Truckers

The greatest pure rock album of the last twenty years. Big, sprawling, in-your-face but also nuanced and full of great storytelling. The Truckers sound never got bigger or wilder after this (and for some reason the production has sounded smaller on each consecutive album, not sure why, but it has hurt the music). Southern Rock Opera is the greatest southern rock album of all time, and easily eclipses the best from Lynyrd Skynyrd.

4. Yoshimi Battles the Pink Robots – The Flaming Lips

The album that launched The Flaming Lips from indie to mainstream. Still, you can’t deny the melodies. This might be one of the first truly accessible weird albums.

3. Sumday – Grandaddy

Jason Lytle sounds almost too relaxed on Sumday, but don’t be fooled. On Sumday you’ll find limousines that never drove rock stars, a group of neophyte office workers set loose in nature for the first time, and the saddest parking lot in the world. The songwriting is deceptively grand, while at the same time Lytle paints miniature scenes that will stay with you forever.

2. Lift Your Skinny Fists Like Antennas to Heaven – Godspeed You Black Emperor

The greatest post-rock album of all time. Chilling, yet inspirational. The moment with the preacher will haunt you, and the catharsis on “Storm” will make you cry with joy.

1. Meddle – Pink Floyd

Pink Floyd with no concepts, no grand theme, no pressure. Just four of the greatest musicians to ever grace the earth focused on experimentation. Meddle sounds almost free compared to the next few albums. It’s also the sound Roger Waters and Pink Floyd should have returned to after The Wall. Instead, Waters kept making weaker and weaker version of The Wall. Gilmour tried to find this sound again on The Division Bell with Mason and Wright, and sort of came close with “Poles Apart” and “Cluster One”.

Meddle is probably the greatest Pink Floyd album, and quite possibly the finest rock record of all time (#89 all time at Rate Your Music).

Outside Magazine Yosemite Sunrise Squirrel (Glacier Point)

I’ve been getting a ton of hits and emails on this, so I felt inclined to make this post. This is in fact the Michael Hodges that took the parting shot photo in the June 2014 issue of Outside Magazine. I do have prints for sale. You can purchase them here. Along with nature photography, I also write speculative fiction, sometimes with heavy nature themes.

There’s also a story behind the photo, which I hope to post soon.

It really was quite an experience, one I’ll never forget. Several factors went into the image, including doing everything I could to avoid crowds. This was the most important part.

Yosemite is one of the most beautiful places I’ve ever been, and the circumstances which created the image were amongst the most unusual I’ve had in years of photography. If you have not been to Glacier Point, I suggest you see it at least once in your life. A big thanks to Outside Magazine for picking up the photo. It couldn’t have found a better home.

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Outdoor Magazine June 2014 Parting Shot